1 00:00:04,910 --> 00:00:03,020 the geometric forms triangle square 2 00:00:06,950 --> 00:00:04,920 shapes that condense and form different 3 00:00:08,480 --> 00:00:06,960 shapes and when we doing experiments 4 00:00:10,669 --> 00:00:08,490 these shapes generally correlate with 5 00:00:13,370 --> 00:00:10,679 the intended target and of course there 6 00:00:15,589 --> 00:00:13,380 are sounds humming buzzing or their 7 00:00:17,090 --> 00:00:15,599 silences now you might look at that and 8 00:00:19,040 --> 00:00:17,100 say well that sounds like some of the 9 00:00:20,900 --> 00:00:19,050 UFO experiences and that's correct too 10 00:00:23,920 --> 00:00:20,910 so I'm pointing out that these 11 00:00:27,470 --> 00:00:23,930 experiences can occur at other kinds of 12 00:00:30,560 --> 00:00:27,480 saturations now sometimes in order to 13 00:00:32,060 --> 00:00:30,570 look at boundaries of perception I'm 14 00:00:34,010 --> 00:00:32,070 working with a colleague that lives in 15 00:00:37,060 --> 00:00:34,020 orlando florida I like to use very 16 00:00:40,069 --> 00:00:37,070 simple projects like this I test chart 17 00:00:42,440 --> 00:00:40,079 so the page from this optical book is on 18 00:00:45,139 --> 00:00:42,450 your left is target this is her response 19 00:00:46,549 --> 00:00:45,149 on the right which actually correlates 20 00:00:48,619 --> 00:00:46,559 very well with the vertical lines 21 00:00:50,450 --> 00:00:48,629 accepted shifts and that was a whole 22 00:00:53,389 --> 00:00:50,460 intention of the eye test do shift from 23 00:00:56,299 --> 00:00:53,399 one spot to the other but then like in 24 00:00:59,450 --> 00:00:56,309 most remote viewing situations she turns 25 00:01:03,110 --> 00:00:59,460 this into an animal or a far so the the 26 00:01:04,820 --> 00:01:03,120 tendency to analyze is ever present here 27 00:01:07,490 --> 00:01:04,830 was the same project only in a dream 28 00:01:09,410 --> 00:01:07,500 state and in this case the lines are 29 00:01:11,690 --> 00:01:09,420 very close to correlating with the 30 00:01:14,420 --> 00:01:11,700 intended target but again is a shift 31 00:01:16,130 --> 00:01:14,430 into interpreting and which are which in 32 00:01:19,999 --> 00:01:16,140 this case is no interpretation they're 33 00:01:23,359 --> 00:01:20,009 just pure lines I like to work with the 34 00:01:25,609 --> 00:01:23,369 future and my specialty you might say is 35 00:01:28,580 --> 00:01:25,619 trying to perceive the pictures that 36 00:01:30,350 --> 00:01:28,590 appear on newspapers in three days in 37 00:01:32,840 --> 00:01:30,360 the future three or five days in the 38 00:01:35,390 --> 00:01:32,850 future and these are two pictures that 39 00:01:37,789 --> 00:01:35,400 appeared in a local newspaper three days 40 00:01:39,230 --> 00:01:37,799 after the dream and I always sketch the 41 00:01:41,149 --> 00:01:39,240 ending of the dream which is the most 42 00:01:43,460 --> 00:01:41,159 reliable and the most accurate there 43 00:01:46,160 --> 00:01:43,470 were two pictures on that page the one 44 00:01:48,319 --> 00:01:46,170 on top then the one on the bottom the 45 00:01:49,999 --> 00:01:48,329 event had not occurred at the time of 46 00:01:52,340 --> 00:01:50,009 the dream the event occurred three days 47 00:01:54,350 --> 00:01:52,350 later two days later and was published 48 00:01:56,630 --> 00:01:54,360 three days later on the top you will 49 00:01:59,209 --> 00:01:56,640 notice that this doesn't really look 50 00:02:01,580 --> 00:01:59,219 like the picture but it was a sense of 51 00:02:04,219 --> 00:02:01,590 falling it was a sense of something like 52 00:02:06,830 --> 00:02:04,229 a parachute some kind of moisture coming 53 00:02:09,859 --> 00:02:06,840 down and it captured the essence the 54 00:02:11,839 --> 00:02:09,869 dynamics of the picture including some 55 00:02:13,220 --> 00:02:11,849 very specific details of the shade of 56 00:02:15,259 --> 00:02:13,230 the shadow 57 00:02:18,440 --> 00:02:15,269 that's right below the dog that light 58 00:02:21,140 --> 00:02:18,450 dark pattern in this case the accuracy 59 00:02:23,360 --> 00:02:21,150 was off but the timing seemed to be on 60 00:02:26,210 --> 00:02:23,370 in terms of the momentum on the bottom 61 00:02:27,589 --> 00:02:26,220 picture they've timing is off but the 62 00:02:29,600 --> 00:02:27,599 accuracy of the picture is better 63 00:02:31,250 --> 00:02:29,610 because I have to presume that the dog 64 00:02:33,470 --> 00:02:31,260 actually did catch that in the next 65 00:02:36,559 --> 00:02:33,480 frame remember these pictures did not 66 00:02:38,690 --> 00:02:36,569 exist at the time of the dream the event 67 00:02:40,729 --> 00:02:38,700 occurred three days later so there's a 68 00:02:43,789 --> 00:02:40,739 slight hint of an uncertainty principle 69 00:02:46,640 --> 00:02:43,799 here accurate in time trade-off in 70 00:02:48,860 --> 00:02:46,650 position accurate in position trade off 71 00:02:50,420 --> 00:02:48,870 in time I've seen this over the years 72 00:02:52,610 --> 00:02:50,430 and some of the projects I worked on I 73 00:02:56,300 --> 00:02:52,620 like this one is the painting of a 74 00:02:59,869 --> 00:02:56,310 Peruvian shaman after one of his shaman 75 00:03:02,180 --> 00:02:59,879 attorneys drinking the brew our Houska 76 00:03:04,190 --> 00:03:02,190 think I pronounced that right with the 77 00:03:07,580 --> 00:03:04,200 drug DMT and I don't quite know how to 78 00:03:09,680 --> 00:03:07,590 pounce that dimethyl tribe feta mean now 79 00:03:12,619 --> 00:03:09,690 in this what's interesting here is the 80 00:03:14,780 --> 00:03:12,629 senator top is a spacecraft that's what 81 00:03:16,670 --> 00:03:14,790 he describes as a spacecraft and those 82 00:03:18,190 --> 00:03:16,680 are aliens or people that inhabit that 83 00:03:20,539 --> 00:03:18,200 spacecraft that come out to meet him 84 00:03:22,940 --> 00:03:20,549 there's a lot of cultural stuff there's 85 00:03:26,270 --> 00:03:22,950 a lot of archetypal stuff in here as 86 00:03:29,120 --> 00:03:26,280 well but this because Peruvian shamans 87 00:03:31,190 --> 00:03:29,130 tend to have a tendency to see UFOs so 88 00:03:34,159 --> 00:03:31,200 if you want to see a UFO I suppose you 89 00:03:37,490 --> 00:03:34,169 should go to the Amazon so what have I 90 00:03:40,520 --> 00:03:37,500 come to after all these years I think 91 00:03:42,470 --> 00:03:40,530 that some UFOs are internal imagery and 92 00:03:44,900 --> 00:03:42,480 they're generated totally by the 93 00:03:47,360 --> 00:03:44,910 individual this could be some kind of an 94 00:03:48,530 --> 00:03:47,370 archetypal archetypal thing it could be 95 00:03:50,390 --> 00:03:48,540 something from the collective 96 00:03:52,159 --> 00:03:50,400 unconscious it could be some kind of 97 00:03:54,349 --> 00:03:52,169 buried hidden need that the individual 98 00:03:56,809 --> 00:03:54,359 has to have the experience there also 99 00:03:58,400 --> 00:03:56,819 some from terrestrial sources you might 100 00:04:00,920 --> 00:03:58,410 be in the position of the position or 101 00:04:03,949 --> 00:04:00,930 close to a high par magnetic field 102 00:04:06,080 --> 00:04:03,959 electromagnetic radar generation that 103 00:04:08,390 --> 00:04:06,090 might generate some of these but even 104 00:04:09,949 --> 00:04:08,400 more significant some of these can be 105 00:04:12,860 --> 00:04:09,959 transferred from one person to another 106 00:04:15,589 --> 00:04:12,870 by intention I know a lot of cases where 107 00:04:17,420 --> 00:04:15,599 somebody sees UFOs when somebody who has 108 00:04:19,670 --> 00:04:17,430 good psychic abilities say look up in 109 00:04:21,979 --> 00:04:19,680 the sky there's a UFO and they see them 110 00:04:23,810 --> 00:04:21,989 but they don't all see the same thing so 111 00:04:25,969 --> 00:04:23,820 there is a transfer and I think in the 112 00:04:26,960 --> 00:04:25,979 Hindu tradition to call at shakti the 113 00:04:29,450 --> 00:04:26,970 transfer of energy 114 00:04:31,580 --> 00:04:29,460 the transfer imagery in the abductions 115 00:04:33,890 --> 00:04:31,590 okay I tend to think that a lot of them 116 00:04:36,050 --> 00:04:33,900 if not most of them are lucid dreams on 117 00:04:37,580 --> 00:04:36,060 the body experiences or the one that's 118 00:04:39,740 --> 00:04:37,590 really more riveting others a 119 00:04:41,510 --> 00:04:39,750 transpersonal wine I believe that many 120 00:04:44,030 --> 00:04:41,520 of them a trauma links and some that 121 00:04:46,340 --> 00:04:44,040 might be linked to the drug DMT which is 122 00:04:49,100 --> 00:04:46,350 some researchers suspect is generated by 123 00:04:50,900 --> 00:04:49,110 the pineal pine-needle plan and of 124 00:04:52,450 --> 00:04:50,910 course some are unexplainable and you've 125 00:04:54,890 --> 00:04:52,460 heard a lot about that so far 126 00:04:56,930 --> 00:04:54,900 implications I think that there really 127 00:04:59,900 --> 00:04:56,940 is a collective imaginal domain that 128 00:05:02,210 --> 00:04:59,910 does have an existence it's real in a 129 00:05:04,940 --> 00:05:02,220 psychological sense but not in a literal 130 00:05:08,150 --> 00:05:04,950 sense and somehow has a reality all to 131 00:05:10,730 --> 00:05:08,160 itself I also suspect now then 132 00:05:13,010 --> 00:05:10,740 space-time is represented somewhere 133 00:05:15,110 --> 00:05:13,020 there's a representation of space-time 134 00:05:18,260 --> 00:05:15,120 at county park somewhere let's like 135 00:05:20,690 --> 00:05:18,270 Halle a holographic pattern which can 136 00:05:23,180 --> 00:05:20,700 record and also code information in 137 00:05:25,280 --> 00:05:23,190 space-time and through our conscious 138 00:05:27,260 --> 00:05:25,290 subconscious mind we can interact with 139 00:05:29,030 --> 00:05:27,270 it providing the needs and the 140 00:05:31,040 --> 00:05:29,040 intentions are focused properly 141 00:05:33,500 --> 00:05:31,050 sometimes it's a subconscious thing 142 00:05:35,420 --> 00:05:33,510 sometimes it's an intentional thing a 143 00:05:40,030 --> 00:05:35,430 planned thing like in remote viewing for 144 00:05:43,610 --> 00:05:40,040 example and I also think at this stage 145 00:05:45,770 --> 00:05:43,620 that the two biggest problems of saw in 146 00:05:47,570 --> 00:05:45,780 terms of trying to reconcile a from a 147 00:05:51,230 --> 00:05:47,580 scientific point of view or precognition 148 00:05:54,200 --> 00:05:51,240 and macro PK and if you think about 149 00:05:56,450 --> 00:05:54,210 space-time being represented in some 150 00:05:58,490 --> 00:05:56,460 representation representation on space 151 00:06:01,100 --> 00:05:58,500 then I'm beginning to think that 152 00:06:04,010 --> 00:06:01,110 precognition is a projection feature of 153 00:06:06,080 --> 00:06:04,020 that space time so that what we perceive 154 00:06:08,300 --> 00:06:06,090 as the future is not really in the 155 00:06:09,920 --> 00:06:08,310 future but it's now and projected from 156 00:06:12,740 --> 00:06:09,930 all known information that's in this 157 00:06:14,620 --> 00:06:12,750 representation in space macro PK then 158 00:06:17,150 --> 00:06:14,630 follows because now with the 159 00:06:19,130 --> 00:06:17,160 representational space then as a matter 160 00:06:21,290 --> 00:06:19,140 of somehow interacting with the forms 161 00:06:23,240 --> 00:06:21,300 the energy forms whatever that are in a 162 00:06:26,360 --> 00:06:23,250 representational space and changing them 163 00:06:28,520 --> 00:06:26,370 around and then acquitting or then 164 00:06:31,400 --> 00:06:28,530 leaving the experience or changing the 165 00:06:32,990 --> 00:06:31,410 shapes and of course I think it's also 166 00:06:34,640 --> 00:06:33,000 important to keep in mind that inside 167 00:06:37,279 --> 00:06:34,650 some individual experiences are 168 00:06:38,630 --> 00:06:37,289 important but keeping in mind that each 169 00:06:40,340 --> 00:06:38,640 one has a different sensing and a 170 00:06:42,590 --> 00:06:40,350 different interpretation which 171 00:06:49,210 --> 00:06:42,600 totally changes from individual to 172 00:06:57,560 --> 00:06:52,490 horseshoes inside all right questions 173 00:07:06,260 --> 00:06:57,570 okay question guys to your hand here's 174 00:07:08,360 --> 00:07:06,270 one of the back this my question or 175 00:07:14,420 --> 00:07:08,370 observation addresses but a small part 176 00:07:17,030 --> 00:07:14,430 of what you illustrate it the the point 177 00:07:21,470 --> 00:07:17,040 that connected for me both in terms of 178 00:07:24,050 --> 00:07:21,480 your near-death experience and the the 179 00:07:30,410 --> 00:07:24,060 wounding that sometimes appears 180 00:07:36,050 --> 00:07:30,420 following a traumatic night inside your 181 00:07:42,950 --> 00:07:36,060 town suggested Ian Stevens work with the 182 00:07:45,380 --> 00:07:42,960 past live carryover for instance if 183 00:07:47,210 --> 00:07:45,390 there was a traumatic death and some 184 00:07:49,550 --> 00:07:47,220 injury had occurred to a part of the 185 00:07:53,750 --> 00:07:49,560 body in the process that the that 186 00:07:56,570 --> 00:07:53,760 birthmarks would show up on people in in 187 00:07:59,390 --> 00:07:56,580 sessions where they were reexamining 188 00:08:01,130 --> 00:07:59,400 this material and if the if the if there 189 00:08:04,280 --> 00:08:01,140 is such a thing as reincarnation then 190 00:08:08,440 --> 00:08:04,290 the dream state between lives might not 191 00:08:12,590 --> 00:08:08,450 be that different from that between 192 00:08:15,620 --> 00:08:12,600 nighttime and daytime for allowing for 193 00:08:17,330 --> 00:08:15,630 that kind of a transmission you have any 194 00:08:19,820 --> 00:08:17,340 comment on that I think you're right on 195 00:08:22,100 --> 00:08:19,830 that and whatever I use the term 196 00:08:23,840 --> 00:08:22,110 imaginal or collective unconscious but 197 00:08:27,020 --> 00:08:23,850 you can add other terms to that some 198 00:08:29,450 --> 00:08:27,030 kind of transitional stage or phase some 199 00:08:31,400 --> 00:08:29,460 some non reality domain we get is very 200 00:08:33,080 --> 00:08:31,410 real now I can relate to that and I 201 00:08:37,969 --> 00:08:33,090 think there's something to it something 202 00:08:41,390 --> 00:08:37,979 to your concept there yes uh they've got 203 00:08:43,190 --> 00:08:41,400 a question the picture that you had from 204 00:08:45,410 --> 00:08:43,200 Peru yeah I thought believe the 205 00:08:48,020 --> 00:08:45,420 substances are using is ayahuasca yeah 206 00:08:51,620 --> 00:08:48,030 this is every dealt with the current 207 00:08:53,990 --> 00:08:51,630 dentals are found that the when you talk 208 00:08:55,610 --> 00:08:54,000 to them we talk about separate states 209 00:08:57,860 --> 00:08:55,620 of consciousness and you've not about 210 00:08:59,870 --> 00:08:57,870 waiting asleep when you talk with the 211 00:09:02,690 --> 00:08:59,880 code of dentals it's like these states 212 00:09:04,790 --> 00:09:02,700 are contiguous I mean they just move 213 00:09:07,100 --> 00:09:04,800 smoothly between them is what if you 214 00:09:09,260 --> 00:09:07,110 could comment on you know what way is 215 00:09:11,390 --> 00:09:09,270 that we have a distinct separation they 216 00:09:14,570 --> 00:09:11,400 see no separation at all seem to move 217 00:09:16,550 --> 00:09:14,580 fluidly yes the practice Jonin 218 00:09:18,860 --> 00:09:16,560 apparently does that you know sometimes 219 00:09:23,000 --> 00:09:18,870 wonder if he would need to indulge in 220 00:09:25,190 --> 00:09:23,010 any kind of rude but the beginners so 221 00:09:28,160 --> 00:09:25,200 the apprentices appears to be able to 222 00:09:30,620 --> 00:09:28,170 need that thing so what the shamans in 223 00:09:33,920 --> 00:09:30,630 true in other places do is very similar 224 00:09:36,230 --> 00:09:33,930 to the dream yoga approach from Tibet 225 00:09:39,260 --> 00:09:36,240 and that part of the country they're 226 00:09:41,150 --> 00:09:39,270 different terms but the ultimate goal is 227 00:09:44,060 --> 00:09:41,160 to have this continuous awareness 228 00:09:46,340 --> 00:09:44,070 whether your so-called asleep or not you 229 00:09:49,640 --> 00:09:46,350 know you can do this awareness one last 230 00:09:52,100 --> 00:09:49,650 question I wonder if you could be back 231 00:09:56,150 --> 00:09:52,110 that diagram that colored guy Graham